Worse still, he summons enemies to attack you, and there are bats spawning from above that are really hard to see on the blue background. The second fight pits you against his ghost, which curses you upon contact, making you slow. His attacks also do a lot of damage and are hard to avoid consistently as they trail you across the screen. The first time, he's fought after four other bosses (thankfully you get a checkpoint here) and constantly flees from you when you attack him. Shaft appears twice and is hard both times.The third phase has him attack you on the ground, but he's somewhat easier. Fail to dodge one round, and he'll keep on going until you do (or die). The first phase is the sickle spam only he loves to fly out of reach, while in the second he shoots a wave of five skulls at you. He has three phases and takes longer to defeat than in some of the other Classicvanias. Death is once again a pain in the ass.
You may also get this treatment for suggesting Symphony and the games that followed its template are better. Players tend to regard Rondo as the best of the classic linear Castlevania games, and criticizing it or comparing it unfavorably to other games in the series, especially its predecessor Super Castlevania IV, will not get you many agreeable responses. Sacred Cow: it eventually reached this status alongside its sequel, Castlevania: Symphony of the Night, which is the fan favorite as far as the later "Igavanias" go.Averted in the Virtual Console version (which is a straight emulation of the original), although someone's probably complaining about changing the German narrator in the prologue. Porting Disaster: A mild example: The Dracula X Chronicles had the original PC Engine game hidden, but there were issues with the looping and synchronization of the music and voice acting.However some hackers found a sprite for it in the original NES game. The Bible subweapon is usable for the first time in this game.Her ending can definitely count as Easy-Mode Mockery though, as it's far less serious and far more cutesy than Richter's ending. She's faster than Richter, she has a double jump, her jumps are much easier to control, she can throw two doves at the same time, which can hit the enemy up to twice, she can slide, she is slightly smaller than Richter, which makes a notable difference when you want to dodge certain attacks, and her sub-weapons, although different, can be just as deadly as (If not deadlier than) Richter's when used well. Game-Breaker: Maria either counts as this or as an Easy mode.Awesome Music: Many, and many that are also remixes of other Castlevania themes, but a note should go to " Illusionary Dance/Dance of Illusions", which was first used here and has becomes Dracula's Leitmotif ever since.Also, while playing as Maria makes the game a bit easier in general, both of Dracula's forms are rendered a complete joke with her she can simply duck under the fireballs in the first form and slide under the jumps of the second, making it trivial to avoid all damage.
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